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{"id":173794,"date":"2017-10-04T05:34:00","date_gmt":"2017-10-04T03:34:00","guid":{"rendered":"https:\/\/kupf.at\/zeitungsartikel\/eliane-radigue\/"},"modified":"2018-06-27T14:49:58","modified_gmt":"2018-06-27T12:49:58","slug":"eliane-radigue","status":"publish","type":"zeitungsartikel","link":"https:\/\/kupf.at\/zeitung\/163\/eliane-radigue\/","title":{"rendered":"Eliane Radigue"},"content":{"rendered":"

Rockkolumne von Tamara Imlinger<\/p>\n

 <\/p>\n

\"\"<\/picture>
Eliane Radigue<\/figcaption><\/figure>\n

Die zeitgen\u00f6ssische Komponistin Eliane Radigue gilt als Wegbereiterin f\u00fcr elektronische Musik. Sie wird 1932 in Paris geboren, spielt Klavier und Harfe, studiert elektroakustische Komposition und arbeitet mit Protagonisten der franz\u00f6sischen Avantgarde \u2013 Stichwort Musique concrete, Field Recordings, Tape Loops. Radigue entwickelt ihren eigenen Stil, Feedback-\u00adGer\u00e4usche, R\u00fcckkopplungen, Obert\u00f6ne und langsame und verlangsamte Ver\u00e4nderungen zeichnen ihre Werke aus. Zentrale Themen sind Zeit, Erinnerung, Ver\u00e4nderung, Meditation und Buddhismus. Zeitweise lebt sie in New York City, wo sie modulare Synthesizer entdeckt, und in Nizza, bis zur Trennung von ihrem Partner mit den drei Kindern, und heute wieder in Paris. Nachdem sie \u00fcber Jahrzehnte auf ein und demselben analogen Synthesizer gearbeitet hat, widmet sie sich nun akustischen Instrumenten. Ihr letztes elektronisches St\u00fcck \u00abL\u2019\u00eele re\u00adsonante\u00bb wurde 2006 beim Ars Electronica Festival in Linz honoriert.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Rockkolumne von Tamara Imlinger<\/p>\n","protected":false},"author":13,"featured_media":0,"template":"","medien1":[208],"class_list":["post-173794","zeitungsartikel","type-zeitungsartikel","status-publish","hentry","medien1-kabinett-threat-rockkolumne"],"acf":[],"_links":{"self":[{"href":"https:\/\/kupf.at\/wp-json\/wp\/v2\/zeitungsartikel\/173794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kupf.at\/wp-json\/wp\/v2\/zeitungsartikel"}],"about":[{"href":"https:\/\/kupf.at\/wp-json\/wp\/v2\/types\/zeitungsartikel"}],"author":[{"embeddable":true,"href":"https:\/\/kupf.at\/wp-json\/wp\/v2\/users\/13"}],"wp:attachment":[{"href":"https:\/\/kupf.at\/wp-json\/wp\/v2\/media?parent=173794"}],"wp:term":[{"taxonomy":"medien1","embeddable":true,"href":"https:\/\/kupf.at\/wp-json\/wp\/v2\/medien1?post=173794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}